After reading Cleopatra Mathis’ poem, “Getting out,” the
title relates to the poem and its topic quite well. While the end of the poem
results in a breakup between to people, the three stanzas describe the various
aspects that led to that end. Getting out if something implies a process, and that’s
exactly what Mathis’ stanzas do - describe the process of this breakup. Mathis
writes, “Every night, another refusal, the silent work of tightening the heart,”
(Mathis, 896). From this phrase, the reader can gather that, regardless of what
they did to prevent it, the couple slowly fell farther and farther apart as their
hearts tightened a bit more every day. The second stanza discusses how things
were or used to be. However, when the happiness was replaced with blame and
disagreement, things fell apart. Even at the end, when there was so little of
their relationship left, the couple in the poem was still upset to leave each
other. In today’s world, we hear so many stories about violent and detrimental
divorces which are upsetting, but the slow decline in the relationship of this
poem actually saddened me even more. It truly seems as though the people in the
poem really tried to make their relationship last, but it just was not meant to
be. The idea that regardless of whether people want their relationship to last,
it just might not, is truly the most saddening part of life represented in this
poem.
Sunday, January 27, 2013
"Popular Mechanics" by Raymond Carver
After reading Raymond Carver’s short story, “Popular
Mechanics,” it became apparent how important the characters actions were to
communicate the tone to the reader. There is minimal description of any setting
within the story and the dialogue is limited, so the details Carver includes
regarding the actions of the characters contribute greatly towards the plot.
The story is focused on a couple who is splitting up, but these actions tell
the true severity and anger within their situation. Carver writes, “He did not
answer. He fastened the suitcase, put on his coat, looked around the bedroom
before turning off the light,” (Carver). Because of the man’s lack of response
and controlled behavior, it becomes obvious that the relationship between the
characters is not good. Furthermore, the fact that Carver mentions the woman wiping
her eyes shows that whatever had happened between the two, it had brought her
to tears. Lastly, the final interaction between the two people and their baby
shows the true hatred behind their relationship. Because they are so upset with
each other, both parents become detached enough to disregard their child safety
and pull him apart quite literally. While such actions are very unlikely, they
truly helped Carver portray the deep hatred within the relationship, to the
point where they would destroy their child.
Friday, January 25, 2013
"The Story of an Hour" by Kate Chopin
After reading Kate Chopin’s short story “The Story of an
Hour,” I recognized the last line of the story to be a major theme. Chopin
writes that a character in the story, Louise Mallard, died “of joy that kills,”
(Chopin, 327). The strange idea that joy could kill stood out to me after
reading of the circumstances surrounding Mrs. Mallard’s death. Because her
husband had supposedly died, Mrs. Mallard was incredibly heart broken and
upset. She began to think about her husband in Heaven and that she would get to
see him again, and the pure joy and happiness she felt over that subject caused
her death. In the real world, I believe that this does actually happen. Weeks
after a family friend died, her husband died as well. If a person loves another
enough that the thought of seeing them again brings them such joy, it, in the
end, can kill them just as it killed Mrs. Mallard. Thinking of something
unachievable or even dreaming allows a person to let go, and Mrs. Mallard let
go in Chopin’s story in order to be with her husband. However, the twist at the
end of the story - that Mallard’s husband was still alive - created a sour
ending to the story. The original idea that the two Mallards would be together
after death was comforting, but the fact that her husband was not even dead was
shocking, as Mrs. Mallard would once again be alone, this time having no way
back.
"You're Ugly, Too" by Lorrie Moore
While reading “You’re Ugly, Too,” a short story by Lorrie
Moore, one is introduced to the main character of the story, Zoë Hendricks.
Throughout the story, Moore brings out Zoë’s personality through her eccentric
behaviors and perception of certain situations. She is truly an odd character,
and in the end, I believe her eccentricities end up making her a sympathetic
character. Her interactions with others oftentimes go downhill because of a
comment she makes or something she does that is unintentionally rude or
inappropriate. In the story, she pushes Earl, a man she met at her sister’s
party, as he is leaning on the edge of a balcony. While he does not fall and is
alright, the whole action quite frankly freaks him out and he does not
understand what is wrong with Zoë. However, even though she did apologize, Zoë
does not really understand what is wrong with her actions; rather, “she smiled
at him, and wondered how she looked,” (Moore, 370). Because she misunderstands
everyday situations and how to act, she becomes a sympathetic character.
Readers feel sorry for her that she has not found love and that her students
dislike her, both of which are caused by her odd behavior. Furthermore, after
Zoë’s sister announces to her that she is getting married, Zoë begins to tell a
story to her sister about two people who fell in love, but in the end, one
committed suicide. While she chooses not to finish the story, the idea that Zoë
would first think to talk to her sister about a suicide after her engagement
announcement shows a little more of Zoë’s eccentricities. The audience feels
pity towards her that she does not understand love, furthering her role as a sympathetic
character.
Wednesday, January 9, 2013
"Delight in Disorder" by Robert Herrick
After reading “Delight in Disorder,” a poem by
Robert Herrick, the idea of “wild civility” becomes apparent. Throughout the
poem, the author praises disorder within people’s clothing – a sense of
confusion or distraction. Through this theme, the author successfully transmits
the idea that being perfect or striving for perfection is not as desirable as
it may seem. The poem shows that no one really wants a perfect person, because
it is, in fact, people’s imperfections that create the interest and intrigue
behind their personalities. The poem states, “A sweet disorder in the dress,
kindles in clothes a wantonness,” (Herrick, 979). This restates the idea that a
little disorder creates a sense of intrigue in people. Furthermore, perfection
sets a person on a pedestal above others, while a sense of disorder creates
more of a sense of accessibility to a person. It places them on the same level
as everyone else. By avoiding being buttoned-down, a person can make themselves
be more appealing to others, as a person who is not intimidating. Perfection is
not always the best thing, and Herrick’s poem proves this point.
"Lonely Hearts" by Wendy Cope
After reading Wendy Cope’s poem, “Lonely Hearts,” I could
not help but notice the prominence of all different personalities and
characteristics of people. This poem was probably one of the most realistic and
relatable poems I have read, because the characteristics of the people
mentioned within the poem are all characteristics of people I meet on a daily
basis. However, the poem also relates all of these seemingly different people
to each other. Whether a biker, a vegetarian, Jewish, bisexual, or successful,
most people all yearn for the love and care of another. By connecting all of
these various and random traits and personalities together, Cope successfully
points out one of the most universal and central desires of all people. The
poem repeats, “Can someone make my simple wish come true?” (Cope, 974). This
phrase clearly portrays the wants of people and the measures they will take to
find the love that everyone needs. While everyone is unique in their own ways,
there is also someone equally unique out there for each person. Through her
poem, Cope was able to not only connect seemingly different people; rather, she
was also able to portray the deep desires of people.
"Eveline" by James Joyce
Within James Joyce’s short story “Eveline,” the
theme of “spiritual paralysis” becomes apparent. While many places and
countries today spark hope and excitement for the future, Joyce described
Dublin within this story as a town full of people frozen into “spiritual paralysis.”
They have no hope or no expectations for things to get better, and just like
the word describes, they are paralyzed, or unable to move or change. This theme
comes to life especially for Eveline. Even though she does not have an easy
life and has been abused by her father in the past, she cannot, in the end,
bring herself to leave Dublin. The story states, “Her father was becoming old
lately, she noticed; he would miss her,” (Joyce, 220). She cannot get past the
idea of disappointing her father and straying from the norm, and it prevents
her from leaving. The city and the troubles she faces are all Eveline knows,
and she becomes too stuck in that state of security with what she knows that
she cannot escape it. She is truly spiritually paralyzed. The final expression
of spiritual paralysis within “Eveline” is at the close of the story, when she
chooses not to leave for Buenos Aires with Frank, a sailor. The uncertainty of
the future is too much, and Eveline remains in Dublin.
"How I Met My Husband" by Alice Munro
After reading Alice Munro’s short story, “How I Met
My Husband,’ I realized the effectiveness of the surprise ending in the story.
Throughout the majority of the work, the reader is under the impression that
Chris Watters, a pilot, is the husband of main character Edie. However, the
reader later discovers that the mailman Edie meets while waiting for a letter
from Chris becomes her husband. This ending was especially effective because it
allowed for a revelation. While reading the story, I was confused why Edie was
so enamored by Chris, especially because their personalities were not
compatible and he was rather forward. Edie, on the other hand, was very shy and
much younger than Chris. While waiting for Chris’ promised letter and an
explanation for Edie’s care for him, the presence of the mailman made me
realize the twist within the story. All of the dramatic events surrounding
Chris just led up to Edie meeting the mailman, who in the end turned out to be
her husband. The surprise ending was also rather inevitable. Seeing as Chris
escaped his fiancée Alice by abandoning his plane ride business, it made sense
that he would never really communicate with Edie, a girl he knew for a few
weeks, again. However, Edie’s naïveté of Chris’ true intentions allowed her to
meet her husband, as the story states, “It never crossed my mind for a long
time a letter might not come,” (Munro, 145). When she finally realizes this
fact, she is able to begin a relationship with the mailman.
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