Pages twenty-five through thirty-six of F. Scott’s
Fitzgerald’s novel, The Great Gatsby,
brought to my attention a concept that I also noticed in Edith Wharton’s The House of Mirth. That concept is the
complete disregard for the boundaries and commitment of marriage. Several
characters in The House of Mirth had
frequent, long-term affairs with other characters, regardless of their marital
status. Once again, the characters of The
Great Gatsby fall prey to temptation and partake in their own affairs. Tom
Buchanan, a wealthy, married man living in Long Island, has his own mistress,
Myrtle Wilson, who is also married! Tom is even well-acquainted with, maybe
even friends with his mistress’ husband. The unaffected way in which these
characters deceive each other and treat each other wrongly just is not right.
Tom only puts up with Mr. Wilson because of Myrtle, and he even goes as far to
get amusement out of his indiscretions, stating that Mr. Wilson “thinks she
goes to see her sister in New York. He’s so dumb he doesn’t know he’s alive,”
(Fitzgerald, 26). Although I completely disagree with the affairs that seem to
be so common in these late 1800’s, early 1900’s novels, the aspect of them that
probably bothers me the most is the affect they can have of the faithful
husband or wife. For those who have done nothing wrong, they seem to go through
life unaware of the fact that their closest friends and confidants are secretly
betraying them. Occasionally, these characters even are aware that some other
man or woman is more important to their spouse than they are. The prominence of
affairs in historical literature of this time gives me cause to believe that
this was normal behavior during the Roaring Twenties, and that unfortunately
makes me think a little less of what seemed to be such a successful decade in
our country’s history.
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